Showing posts with label artist's retreat. Show all posts
Showing posts with label artist's retreat. Show all posts

Sunday, February 23, 2014

25 at 9,500' -- A Winter Artist's Residency

Breckenridge, Colorado.  9,500 feet above sea level. Deep snow angled against the studio, more white falling from the sky, a swirling winter wonderland.  I've made myself at home in the historic Tin Shop, which was bought and renovated by the town's well endowed Arts/Historic District and is now offered as a cozy guest artist's live/work space.  I was a resident here in 2009 and had the good fortune of being invited back for the month of February.  I am now in the midst of  25+ days to make all the art I can make - and I'm off and running!!



Winter in Breckenridge... snowy Wonderland!!!!
 As always, I've come bearing some notion of my intended projects, but I always allow myself to follow creative tangents as they arise.  It's a bit like tracking an animal through the forest on a winter's day, fun and then fruitless, hopeful and maddening!  Now on my ninth official artist's residency program, I've learned that this is the best time to explore brand new creative ideas and to allow myself to wander into uncharted territory with complete abandon. Since I work in a variety of different media, this can lead to some frantic overwhelm - along with sleepless nights - but I am going with it!!

"Lay Down Your Grief And Kiss The Ground" -- a mixed media piece I created for a traveling exhibit called 'Down the Rabbit Hole'... 
"Earth/Ice Listening" -- Studio installation in progress with encaustic wax, discarded paper towels, charcoal, xerox transfer and pencil drawing.
"Tea Series/Mindfulness" -- work in progress -- discarded tea/bags, Usnea, map, paper towel, beeswax, damar resin, box elder seeds, and ink on paper handmade from old lists, fliers, junk mail.
"Tulugaq/Raven of the North" -- ink, charcoal, and acrylic on tree-free paper
 Along with developing new projects, I've also finished a large commission piece for a buyer who shares my appreciation of raptors and other winged things: Tulugaq/Raven, whose range takes her into the Arctic.  I'm currently working on a second commissioned painting, Falling into Blue, which is a creative exploration of color, feeling, and possibility.  As a friend writes, "the breezy surface pulls you in... and then you fall into the mystery."  To me, blue is the essence of what I found in the very far north - rock and ice, sea and sky - and a reflection of the world that lives inside us all. 

"Northern Nightscape Ice-land Aurora Love", study #7, ink and acrylic on tree-free paper
A pile of my hand made paper in the Tin Shop.  Such pleasure in recycling my To-Do lists into creativity!!
 I'm exploring more ideas about Greenland and the Arctic; about land-earth-ice, climate-environment-ecology, human relationships and how the din of our lives can keep us from hearing feeling seeing knowing.  I also find myself creating simple works of art that are - essentially - a celebration of life and aliveness.  The beautiful miracle of it all, like a love letter to Greenland penciled around the girth of the planet.

I've also discovered a relationship between Breckenridge - this cute snowbound ski town in the high Rockies - and the Arctic: our climate delivers the possibilities of change more swiftly to those places that are either high up, or far up. Altitude vs. latitude.  Here the snow drives fast and hard, while at home in southwest Colorado, drought is the hallmark of the current winter season.  What next??

 For me, I've been invited to go North again this summer, to live and work in Canada's Yukon Territory at the Klondike Institute of Art.  May I discover there an untangled pathway to creating sculpture, installation, painted images, porcelain objects and word-craft that resonate with meaning and reach beyond me into the vastness.  As the poet Mary Oliver has written, "I want to be improbable amd beautiful and afraid of nothing, as if I had wings."  Onward. ~

Monday, July 23, 2012

Upernavik and the Artist's Retreat



Home sweet home

I only had four full days in Upernavik, Greenland before I left on the kayak trip.  I’ve been back a few days now and am rewinding to tell you a little more about my surroundings and life here in this very small town on a very small island about 15 miles off the coast of the mainland.  

Upernavik means “springtime place” and is the name of the settlement, the island and a very large district that spreads north along the coast to Melville Bay.  This area was colonized by Danish traders in the 1700’s, but it has been home to Inuit and other indigenous groups for centuries.  


July 21.  I wake disoriented again, dreaming of people from home. Heavy fog, and some new icebergs have blown in close to the house.  Maybe I will paint outside.  I hate being out much during the work week because the burn station is just over the hill, where they burn all (and I mean all) the garbage from town.  Today is Saturday so there is a rest from the poison in the air.

The old church, no longer in use, burn pit is down the hill out of sight

Upernavik town

I’m told there are over 1,000 people living in this town with its bright red, blue, green, and yellow houses spilling down the hillside to the sea.  Hard to believe, even though there are a few cars here and even a few central roads to drive them on.  There’s also a small medical center, a post office, and a little market.  The grocery chain, called Pilersuisok,  holds an undeniable monopoly.  Each settlement has one, supplied with expensive canned, frozen and packaged food from Denmark that arrives by ship.  

The small medical building in Upernavik - anything serious requires an airlift out of here.

The refugium where I live and work is a restored 1800’s cooper’s workshop – the place where barrels for blubber were once made. It’s one of the original buildings from the settlement and I’m astonished when I look at old photos to see this house in them.

I’m so happy to have the opportunity to be here.  There are few, if any expectations of me imposed by the Upernavik museum.  In fact, when I arrived, I was handed a key and no questions were asked, no explanations given.   I’m figuring most things out on my own and am content with that.  Most artist’s residency programs involve teaching, having the studio open to the public, and/or getting ready for a final exhibit - and don’t include kayak expeditions!  Not so here, and I’m enjoying the time to experience as much as I can of Greenland; to film, paint and draw on my own schedule, knowing the major creative work will happen back in Colorado this fall and winter.

 Nine of the past ten months of my life have been spent living and working away from my beloved Colorado, and it was with some weariness that I embarked on this last, long leg of my self-appointed “Year of Art”.   It seems like I’ve been in near-constant transition lately, always juggling logistics and trying to find some relief from the anxiety I feel about my future.  The calm and silence I find here are invaluable to me on a deep, personal level.  It’s a luxury to have some slower time now that art projects in New York and New Mexico are completed and I accomplished the major fundraising effort required to make this Arctic trip a reality.

The logistics aren’t over yet. I still have to figure out where I’m living when I return to Durango, what studio space to occupy.  (I can’t wait to get my hands on some porcelain… there is so much work to be done!) And what source of income? 

I’m the proud renter of a storage unit - and that’s all.

But here, now. 

From what I can discern, there have been other artists working at the retreat from Argentina, Lithuania, Israel, Japan, Italy, the UK and others disparate locations.  And it looks like love has blossomed here as well as art!  An Australian photographer in residence met a policeman in Upernavik that she fancied (and he, her).  They were married earlier this year. 

The bottom level of the retreat is composed of a small kitchen and laundry room, with a living room facing the sea that also poses as the studio.  Lots of windows and light.  Wooden floors, ahhh.  (NICE.)  The ocean is my closest friend here, a stone’s throw from my writing desk, and icebergs shift imperceptibly on the tide.  There is always a new view.    

Part of my workspace


Some late night reading...

Upstairs is a cozy gabled bedroom and small bathroom.  Danish touches abound, reminding me of my months spent in Denmark in 2009.  There are no trees in Greenland, and the abundance of wooden houses is puzzling.  Until the 1950’s the Inuit lived in stone and sod huts – Danes brought the boxy houses we are all familiar with.  I wonder what forest provided the lumber for this place, and to house the thousand occupants of this town? There is no plumbing here in Upernavik either, but water runs from a hundred gallons tank that gets filled on Tuesdays and Thursdays. I’ve read there is a desalination plant that makes potable water from the sea.  Human waste also gets picked up on alternate days…

And enough said!

I’m off for a hiking break and to see what happens on Saturday in Upernavik.  The weekends are very sleepy but a soccer game might be going- and everyone here loves that.